BooksEach recommendation reflects the views of the person who wrote it, not necessarily the views of the NCHS as a whole. |
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Learning to Read Haiku
Haiku cut so deftly against the grain of the Western literary tradition that they are often regarded as trivial verse, or at best, poetry that does not translate well from the Japanese. The books below can help cure such notions. The Essential Haiku, edited by Robert Hass, is a good introduction to three masters of the Japanese haiku tradition: Basho, Buson and Issa. I cannot speak to the accuracy of Hass's translations from the Japanese, but the poems reda well in English, and the critical reviews I've read do not find significant fault with the translations. The serious reader will want to seek out other translations of these poets, but to my mind, no other book better introduces the depth and range of classical haiku as poems in such a short space. The introduction and notes are excellent, as you would expect from Hass, a former Poet Laureate of the United States. One thing I find especially valuable about Hass is that he doesn't overemphasize the foreignness of Japanese haiku. He enables us to see their universality in a way that specialized commentary sometimes does not. To see how well poets writing in English have met the challenge of the Japanese tradition, read a good anthology of haiku composed in English, such as Haiku Moment, edited by Bruce Ross, and The Haiku Anthology, edited by Cor van den Heuvel. The poems in Haiku Moment are somewhat more even in tone and approach, perhaps because of the selection criteria described in the introduction. Some (like me) admire this quality of Haiku Moment, but others think it results in too much of the same thing. Still others would say that idea of the haiku moment has been overemphasized in the West, but I don't find this book to be an example of that. You probably won't recognize the poets in these anthologies. Perhaps this is because the idea of literary haiku in English is relatively new (100 years or so in the United States). On the other hand, it is good that these anthologies focus on poets for whom haiku are something more than experiments in an exotic form. — Dave Russo
Learning to Write Haiku
Haiku: A Poet's Guide, by Lee Gurga, a highly respected poet, editor, translator, and publisher. If you want to know "how a haiku means" (as the poet John Ciardi might have said), buy this book. Haiku, A Poet's Guide is a concise introduction to the art, craft, and aesthetics of haiku in English. The example haiku alone are worth the price of the book. Gurga's illuminating comments on individual poems and about haiku in English are even more valuable. (You can order this book from the Modern Haiku Press web site and elsewhere.) Haiku poets will also want to own the now-classic The Haiku Handbook, by William J. Higginson, with Penny Harter. This book is especially valuable for its rigorous examination of haiku tradition and innovation. The book includes a thorough and insightful survey of Japanese haiku; a survey of haiku in other languages; a detailed explication of haiku form and content; and a haiku lesson plan for teachers—as well as a bibliography, a glossary, and a season word index. — Dave Russo
Books by Members
Haiku Bibliographies on the Web
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